RSC的意思|RSC的解释-里氏词典

RSC

abbr.
Royal Shakespeare Company, 英国皇家莎士比亚剧团

Not only the police arrive to see what's up, but also (on press night, at any rate) David Calder, the RSC's new Shylock, from the theatre next door.
Miss Suzman, who graduated from Johannesburg to the RSC, said other, wiser things, and I hope her feelings for the South African theatre will have survived Tuesday's vote.
A former RSC regular, Pennington and director Michael Bogdanov started their company in November 1986 to reinvigorate the Bard's plays outside the institutional confines of London's large subsidized companies.
The RSC has this 12 months' leeway. Heralded at the time as the biggest arts sponsorship ever, the link has undoubtedly helped both parties, but especially RI, which has raised its profile and had marvellous entertainment opportunities.
Sir Peter Hall's RSC production, which has moved to the Pit from Stratford, seems to me a trifle on the heavy side.
Saks liked the lesser pressures and diminished intensity of working at the RSC, where shows are guaranteed a run, as opposed to New York, where they can close overnight.
This production - which I reviewed at its premiere at Stratford's The Other Place last May - now launches the RSC's new London season.
They represent the over-academic side of the college, swapping latinisms while watching cricket. If the production flags, it is not entirely the fault of the RSC.
Trevor Nunn's riveting RSC staging of this great, imperfect, ambiguous and infinitely rewarding play has now reached London after a national tour.
This results in undemanding, easy theatre which belies the demands levied on a cast enjoined to sing and act. Caird has homogenised the action in an RSC period blend of costume, set and manner.
Gene Saks, the veteran Broadway director of many Neil Simon works, makes his RSC directing debut July 20 with a revival of George S. Kaufman and Moss Hart's "The Man Who Came to Dinner," starring John Wood as Sheridan Whiteside.
The RSC has done this play proud before, and this production does not surpass some of the versions we saw in the 1980s.
Last week the Royal contributed another Pounds 20,000. It is paying for 15 'signed' performances by the RSC which will enable deaf theatre lovers to follow the show.
An article in February in the London Evening Standard claimed RSC members were so dispirited by the idea of commercial "Carrie" on their hallowed stage that they were preparing applications "en masse" to their friendly rival, the National Theater.
"This is the largest-scale Shakespeare-education-for-teachers program that has ever gone on in the world," Tony Hill, the RSC's director of education, said in a joint interview with his Folger Library counterpart, Peggy O'Brien.
The RSC could be the next beneficiary.
Last year, she combined a cast of RSC and Clean Break actresses in performing a collection of writings from both former and current prisoners called "Voices From Prison" at the Barbican, the London stage of the RSC.
Last year, she combined a cast of RSC and Clean Break actresses in performing a collection of writings from both former and current prisoners called "Voices From Prison" at the Barbican, the London stage of the RSC.
Mr. Hands also insists he had no trouble convincing the RSC administration of "Carrie's" suitability for the company's Stratford stage.
"But I don't think the RSC should be involved in purely commercial ventures.
The company is deliberately using the sponsorship, and the reputation of the RSC, to raise its image. The first promotions were aimed at shareholders and employees, and offered free membership of the RSC and discounts on tickets.
The company is deliberately using the sponsorship, and the reputation of the RSC, to raise its image. The first promotions were aimed at shareholders and employees, and offered free membership of the RSC and discounts on tickets.
Now, however, the director Katie Mitchell has mounted a version of Henry VI - Part Three for the RSC, in which she has elicited an unusually contained performing style from her actors.
The RSC has quickly approached the 40 most likely sponsors, but without success.
Ariel is Simon Russell Beale, who is forever expanding his range and style by allowing himself to be cast in dissimilar roles (for Mendes alone he has played Ariel, Richard III and Thersites in Troilus at the RSC). So far, so impressive.
Someone in the RSC should have warned him early on that he was going too far in the wrong direction. Meanwhile, at the RSC's Other Place in Stratford was the premiere of School of Night by Peter Whelan.
Someone in the RSC should have warned him early on that he was going too far in the wrong direction. Meanwhile, at the RSC's Other Place in Stratford was the premiere of School of Night by Peter Whelan.
Until this year the plays it progressed throughout the land were by Shakespeare and were performed by the RSC.

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